Marty O'Reilly & The Old Soul Orchestra w/ special guest Willie Watson

Marty O'Reilly & The Old Soul Orchestra w/ special guest Willie Watson

Sat · November 17, 2018

Doors: 7:30 pm / Show: 8:30 pm

$17 in advance / $19 at the door

This event is all ages

Marty O'Reilly & The Old Soul Orchestra
Marty O'Reilly & The Old Soul Orchestra
Explaining Marty O’Reilly and the Old Soul Orchestra’s music is like describing a remembered dream. It feels familiar, but at the same time it feels new. It's blues but not blues, folk but not folk, soulful but not soul. Marty’s voice is beautiful and distinctive, his lyrics stark yet lush over gritty electrified guitar. Chris Lynch's violin, Matt Goff's percussion and Ben Berry's rich bass meld beautifully. The chemistry of these friends is obvious. But one can also hear an urgency in the songs, expressing something elemental and perhaps contradictory: love and anger, joy and pain.

The live performance is at the core of this project: the band enters a trance and the music is born again as something new every night. They go from raw gospel blues to cinematic epics, from heavy driving grooves to delicately arranged folk songs. They leave the stage out of breath, the ground littered with broken strings and bow hairs. It's hard to describe, impossible to categorize. Yet people who know the music will try to explain it to you, just as you might struggle to explain a dream in the morning. The visions might slip away as you recount them, but the feeling remains.

The band formed in Santa Cruz California in 2012 and has been touring relentlessly ever since, from San Francisco to New Orleans to London to Seattle. They invite you to join them.
Willie Watson
Willie Watson
For nearly two decades, Willie Watson has made modern folk music rooted in older traditions. He’s a folksinger in the classic sense: a singer, storyteller, and traveller, with a catalog of songs that bridge the gap between the past and present. On Folksinger Vol. 2, he acts as a modern interpreter of older songs, passing along his own version of the music that came long before him.

Southern gospel. Railroad songs. Delta blues. Irish fiddle tunes. Appalachian music. Folksinger Vol. 2 makes room for it all. Produced by David Rawlings, the album carries on a rich tradition in folk music: the sharing and swapping of old songs. Long ago, the 11 compositions that appear on Folksinger Vol. 2 were popularized by artists like Leadbelly, Reverend Gary Davis, Furry Lewis, and Bascom Lamar Lunsford. The songs don’t actually belong to those artists, though. They don’t belong to anyone. Instead, they’re part of the folk canon, passed from generation to generation by singers like Watson.

And what a singer he is. With a quick vibrato and rich range, he breathes new life into classic songs like “Samson and Delilah,” one of several songs featuring harmonies from gospel quartet the Fairfield Four. He’s a balladeer on “Gallows Pole,” whose melancholy melodies are echoed by the slow swells of a four-piece woodwind ensemble, and a bluesman on “When My Baby Left Me,” accompanying himself with sparse bursts of slide guitar. “Dry Bones” finds him crooning and hollering over a bouncing banjo, while “Take This Hammer” closes the album on a penitent note, with Watson singing to the heavens alongside a congregation of Sunday morning soul singers.

Arriving three years after Folksinger Vol. 1 — his first release since parting ways with the Old Crow Medicine Show, whose platinum-selling music helped jumpstart the 21st century folk revival — Vol. 2 expands Watson’s sound while consolidating his strengths. Several singers and sidemen make appearances here, including Gillian Welch, the Punch Brothers’ Paul Kowert, and Old Crow bandmate Morgan Jahnig. Even so, Watson has never sounded more commanding, more confident, more connected to the music that inspires him.

“I’m not trying to prove any point here,” he insists, “and I’m not trying to be a purist. There’s so much beauty in this old music, and it affects me on a deep level. It moves me and inspires me. I heard Leadbelly singing with the Golden Gate Quartet and it sounded fantastic, and I thought, ‘I want to do that.’ I heard the Grateful Dead doing their version of ‘On the Road Again,’ and it sounded like a dance party in 1926, and I wanted to do that, too. That’s the whole reason I ever played music in the first place — because it looked and sounded like it was going to be a lot of fun.”

Nodding to the past without resurrecting it, Willie Watson turns Folksinger Vol. 2 into something much more than an interpretation of older songs. The album carries on the spirit of a time nearly forgotten. It taps into the rich core of roots music. It furthers the legacy of American folk. And perhaps most importantly, it shows the full range of Willie Watson’s artistry, matching his instrumental and vocal chops with a strong appreciation for the songs that have shaped not only a genre, but an entire country.
Venue Information:
Cornerstone
2367 Shattuck Ave (Enter On Durant)
Berkeley, CA, 94704
http://www.cornerstoneberkeley.com/